House of Exile is a work of creative non-fiction. It is a biography of a
group of European intellectuals and those close to them, and of the
devastating psychological impact for them of the rise of Nazism, the
outbreak of war and enforced exile. Although non fiction, it is written
in the style of a novel, and Juers frequently focuses on the thoughts
and feelings of her characters. It should be said she is not totally
imagining these - as most of the people portrayed here were writers,
there are extensive records such as diaries and letters for her to draw
on.
The story centres on Heinrich Mann and his lover, later his
second wife, Nelly Kroeger, and on his more famous younger brother
Thomas Mann. The many other writers whose lives are discussed in the
pages include Bertolt Brecht and Virginia Woolf.
For me, Nelly's
story is particularly memorable, and it was clearly a central concern of
the author. She was 27 years younger than her husband and had spent a
lot of her life in Berlin working as a barmaid, and has gone down in
history as something of a bimbo. Perhaps it is significant that this
portrait of her came from the letters of her brother in law Thomas Mann,
who looked down on her.
In fact, she was the daughter of a
fisherman, from a much more working class background than Heinrich, and
had had the basic education available to a woman of her class. I really
enjoyed learning about what this bookworm of nearly 100 years ago liked
to read - she had quite a few books and would read in cafes before work,
jotting down notes as she read. Intriguingly, her favourite books
included Anna Karenina, Madame Bovary and Hedda Gabler, all by men about
women. Juers describes the first meeting of Heinrich Mann and his
future wife - she was reading in a café. This scene and many others in
the book could come from a novel, but although Juers avoids interrupting
her narrative with the footnotes/endnotes of a conventional biography,
most of these story scenes draw on real correspondence and diaries.
Nelly
also wrote down her own life story, but unfortunately for us after he
read it Heinrich destroyed it and then used a lot of her work as a basis
for a novel of his own. Juers is kinder to him about this than I felt
reading about it.
The quality of the writing and the stories of
how the subjects grew up and of the events in their lives make it all
the sadder that most of them never really adjusted to new lives in
exile, and many committed suicide in the 1930s and during the war.
This
volume lacks some of the features that many biographies now come with.
There are no photographs or pictures (most biographies now have at least
one section of photographic plates). The author's Note on Sources runs
to 11 pages detailing books and archives consulted but the book doesn't
contain footnotes/endnotes or an index.
House of Exile is a challenging but memorable read and a fascinating approach to biography, and highly recommended.
My review copy was received through the Amazon Vine programme and this review first appeared there.
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